April 26, 2020

During the 14-day online residency programme, a total of 32 artists from different arts sector and different countries, including dance artists, media artists, musicians, art educators and producers participated in a joint discussion and proposal of forward-looking solutions, brainstorming, and exploring new possibilities.

October-November 2018

Took initiative to host dance workshops on body-and-mind connection for visually impaired teenagers

Self initiate, collaborate with Ebenezer School & Home for the Visually Impaired

Team leader, teacher, researcher

August 26, 2018

The project was hosted by Ibsen International in collaboration with Goethe Institute China. The theme is “Dance and Drama Construction Localization Research”.

​

I want to make a more relevant interaction between the workshop and my own professonal practice by digesting my gains. So I wrote a reflection, include our process, artist's intentions and using this perspective to ask what openness, context, dynamic are, without explaining the meaning of each word, being critical.

April 27, 2018

Ms Madden is an Associate Artistic Director of Trisha Brown Dance Company. She enjoys keeping Brown’s rich range of choreography alive on stages, her insights and work will definitely be valuable to everyone interested in dance. I am glad to incorporate my thoughts about the Set and Reset/ Rest and interview resource into one article.

​

April 17, 2018

This essay I want focus on analyzing Pina Bausch’s choreographic methods. Using NELKEN as a case study to review her compositional choice, aesthetic perspectives, background and inspiration of her creation. 

November 13, 2017

Through my research I found 2  lenses ( Limited body between life and death, Artist’s body in public)  to dive into my unknown field. I discovered 2 works that abramovic made as the case study.

July 25, 2016

  In this learning summary that I do not want to write too much about dance skill and knowledge. However, what is dance knowledge? Is it disjointed between life and dance? This reflection is written after the courses and travel, because the problem of this moment is the most direct and the freshest. I gradually found those specific questions in doubt, my problem is large and empty If I do not know the purpose of problems. Actually some ideas were collapsed in my mind,because there is not enough information and knowledge to support. After this trip, I picked up three points from a lot of interesting ideas to reflect and discuss.

October 21, 2016

​

The International Association for Dance Medicine & Science provided various sessions that engage me to seek truth and know more about medicine and science for dancers. I am curious about dance science, because I need the knowledge to help me aware my body and prevent injury. I want know different possibility to make my career better and longer, I will keep gaining knowledge and explore. 

November 06, 2016

​關於我的舞蹈心得

May 26, 2015

欣赏《Echoing Woods》这个作品，并深深地投入其中探寻着事物的发展，或许不论是舞者还是观众都会情不自禁地将自己融入某一角色，同时，编舞想要表达的微妙细节也将在舞者身上不断变化，所以我认为一个作品的轨迹与它本身的创作精神，往往源于编舞的经历。而舞者如何用身体表达“情绪”？就产生了一个问题：在舞台上，你到底是演员，舞者，还是普通人？无关于应该是怎样，而在乎你是否清晰？那些像寄生兽般的影子，是否也带着黑暗的愤怒呢？

​